The Criterion Collection
Nov 19, 2008 — Allan Arkush is an Emmy-winning television director and executive producer of NBC’s hit series Heroes. Arkush's directing credits also include the Ramones’ cult classic Rock ’n’ Roll High School, which Rolling Stone magazine named as one of the top-10 rock...
The director of Drive expresses his adoration of Andrei Tarkovsky, calls Quadrophenia the epitome of rock and roll, and remembers asking Elia Kazan for filmmaking advice.
Jim DeRogatis is the cohost of Sound Opinions, “the world’s only rock-and-roll talk show,” originating from WBEZ Chicago and distributed nationally on public radio via PRX; a full-time lecturer in the Professional Writing Program at Columbia College in Chicago; and...
Stanley Booth traveled with the World’s Greatest Rock-and-Roll Band in 1969 while writing The True Adventures of the Rolling Stones, chapter 31 of which details the complete events of Altamont. The book was republished by A Cappella in 2000. This...
Veteran music journalist Michael Azzerrad is the author of Come As You Are: The Story of Nirvana (Doubleday, 1993) and the upcoming Just Gimme Indie Rock: Scenes from the American Indie Underground 1981-1991 (Little, Brown). He once caught a sunfish...
On the Channel
Dec 17, 2025 — This January, savor multiple levels of nostalgia with a survey of ’90s cinema’s riffs on the ’70s, or turn a new page with a collection of films about dreamers seeking fresh starts in life.
On the Channel
Jun 17, 2025 — This July, find love under the sun with our Summer Romances collection and flirt with the seductive dangers of Miami’s most thrilling neonoirs.
On the Channel
Feb 27, 2023 — Among the highlights this month is a series celebrating Oscar nominee Michelle Yeoh, an international star who began her career as one of Hong Kong cinema’s fiercest action heroes.
The Daily
Mar 28, 2022 — Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.
Jun 27, 2019 — Members of the cast and crew of Hedwig and the Angry Inch discuss the film’s defiant approach to questions of identity and politics.