The Criterion Collection
Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.
Jul 9, 2018 — His days as an on-screen heartthrob peaked in the 1950s and early ’60s, but John Waters made him a star all over again.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
Essays
May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.
The Daily
Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....
The Daily
Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...
The Daily
Apr 10, 2018 — In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...
The Daily
Apr 5, 2018 — “Isao Takahata, who co-founded Studio Ghibli with Hayao Miyazaki in 1985, has died at eighty-two, according to Yahoo! Japan.” Michael Nordine for IndieWire: “Takahata was a revered director in his own right, helming such animated classics as Grave of the...
The Daily
Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...