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Blue Film

Jul 13, 2017 The newly opened Austin Film Society Cinema presents screenings of the Cannes award–winning animated film Fantastic Planet, a hallucinatory visual marvel designed by French artist Roland Topor.

Jun 21, 2016 Animated in Czechoslovakia amid a Soviet invasion, the French film Fantastic Planet, the third collaboration between René Laloux and Roland Topor, timelessly renders its surreal sci-fi story of captivity and resistance.

Jun 2, 2016 Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.

May 17, 2016 Before the release of his new film Sunset Song, the beloved filmmaker stopped by the Criterion kitchen for lunch and became especially animated when our discussion drifted toward two of his great loves: the plays of Anton Chekhov and musicals...

Mar 18, 2016 For the past thirty years, the British Film Institute has been honoring the best in contemporary and classic LGBT cinema from around the world, with its annual BFI Flare: London LGBT Film Festival. In celebration of the festival’s three-decade anniversary...

The Color of Dreams

Tech Corner

Jan 7, 2016 While in Tokyo to work on Akira Kurosawa’s 1990 film, our technical director got a glimpse at some of the filmmaker’s original drawings that he used to shoot the movie.

Mar 30, 2015 A master of using the camera to draw truth from interview subjects, Errol Morris was unsurprisingly a candid and fascinating interview subject himself in new supplements we made for the Criterion releases of Gates of Heaven/Vernon, Florida and The Thin...

Apr 10, 2013 Teinosuke Kinugasa’s landmark color film is a visual feast that has finally been vibrantly restored.

Mar 20, 2013 Michael Powell and Emeric Pressburger’s adroit masterpiece is war film, dark comedy, historical drama, poignant romance, and a portrait of the modern woman.

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

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