Ten

Mar 18, 2018 — A24 is setting up an adaptation of Richard Wright’s 1940 novel Native Son, reports Deadline’s Mike Fleming Jr. “Pulitzer Prize-winning playwright Suzan-Lori Parks has written the script and celebrated conceptual artist Rashid Johnson will direct the film, which will take...

Mar 13, 2018 — Martin Scorsese brought his trademark attentiveness to the intricacies of social custom to this devastating adaptation of an Edith Wharton novel.

Mar 5, 2018 — On the anniversary of his birth, we look back on the films of Pier Paolo Pasolini, one of the most radical figures of Italian cinema.

Mar 3, 2018 — Jordan Peele has won best director and his debut feature, Get Out, has won best feature at this year’s Film Independent Spirit Awards. You’ll find the full list of nominations, announced back in November, right here. Below, a quick overview...

Mar 1, 2018 — “His face did something to me. Or, rather, the film, with its compassion and its utterly jarring ending, which I won’t give away, did something to me. But, then again, you could also say that, in some sense, the film...

Feb 22, 2018 — Bengali cinema icon Uttam Kumar stars as a matinee idol on the brink of failure in this deeply introspective meditation on art and fame.

Feb 19, 2018 — New York. Anthology Film Archives’ series Documentarists for a Day runs for two more nights, and Screen Slate is spotlighting the two films screening tomorrow. Theater in Trance (1981) is the only documentary Rainer Werner Fassbinder made. Angeline Gragásin: “Comprised...

Feb 18, 2018 — Christian Petzold seems to realize that viewers are going to feel as if they’ll need a few moments to get their bearings in the world of Transit. In one swift and brilliant stroke, he denies us the luxury. Georg (Franz...

Feb 14, 2018 — With her acclaimed new film Western opening in theaters this week, we spoke with German director Valeska Grisebach on the romantic ideals of the quintessential American genre.

Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.