The Criterion Collection
Essays
Nov 23, 2010 — An overdub has no choice, an image cannot rejoice.—“Porpoise Song”Where there is choice, there is misery.—SwamiHow’s about some more steam?—Sonny Liston The final episode of the television show The Monkees aired March 25, 1968. Cowritten and directed by Micky Dolenz,...
May 22, 2006 — Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.
Sep 29, 2017 — One of the most elusive artists in American cinema opens a window onto his private life and creative methods in this revelatory documentary.
The Daily
Jul 21, 2026 — New restorations of the first three features premiere this weekend, followed by a retrospective next month.
The Daily
Jun 22, 2021 — This month’s roundup of new and noteworthy titles opens with “a counterfactual history of the movies.”
The Daily
Apr 24, 2020 — Paul Schrader and Petra Costa are among the filmmakers determined to make the most of what they’ve got during lockdown.
May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...
Features
Jan 20, 2018 — On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.
Jul 30, 2019 — One Scene Though he works in the highly stylized realm of the horror genre, Ari Aster’s acute attention to the fraught dynamics of intimate relationships—evident in his psychologically penetrating new film Midsommar—makes it easy to see how he draws inspiration...