The Criterion Collection
Visual Analysis
Jul 31, 2018 — The award-winning director of The Rider explores the deep respect for nature and subjective human experience in Terrence Malick’s masterful vision of early seventeenth-century America.
Apr 21, 2009 — Fifty years ago today . . . Godard wrote this New Wave battle cry for the April 22, 1959, issue of the French journal Arts, on the news of François Truffaut’s The 400 Blows being selected to represent France at...
The Daily
May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
Sep 20, 2018 — The sheer strangeness of wealth and class divisions is fodder for screwball hilarity in Gregory La Cava’s Depression-era masterpiece.
Features
Dec 4, 2024 — Before she won acclaim as a pioneering director, the Hollywood icon made her name as a powerfully vivid actor who brought grit and toughness to films by such masters as Raoul Walsh, Nicholas Ray, and Michael Curtiz.
In Theaters
Oct 24, 2018 — The filmmaker behind the provocative indie hit Sorry to Bother You talks at Indiana University Cinema this week about a Paul Schrader masterpiece that has deeply influenced him.
In Theaters
Mar 1, 2018 — Ernst Lubitsch’s masterpiece screens in Madison this weekend in a festival showcasing films recently restored by the UCLA Film & Television Archive.
Essays
Aug 12, 2014 — The emotional culmination of a brilliant career in film, John Cassavetes’s unruly masterpiece is an enigmatic character study and a direct investigation of the nature of love.
Jul 29, 2014 — Combining a tragic romance and the story of a workers’ strike, this musical melodrama is perhaps Jacques Demy’s most neglected masterpiece.
The director of Cowboy Bebop shares his love for The Killing of a Chinese Bookie and how John Cassavetes blurred the line between fictional drama and realism, talks about what makes Branded to Kill a mesmerizing masterpiece, and finds inspiration...