The Criterion Collection
Jan 25, 2019 — Deep into Cristian Mungiu’s 2007 drama 4 Months, 3 Weeks and 2 Days, we sit in on a leisurely dinner-table chat that appears to be unrelated to the film’s main event, an illegal abortion conducted in a seedy hotel. After...
Jan 24, 2019 — Avant-garde cinema’s greatest champion—and one of its most accomplished practitioners—has died at ninety-six.
Dec 9, 2018 — Songbook The final scene of Robert Altman’s 1975 film Nashville belongs to the transient wannabe singer Albuquerque, played by the late Barbara Harris. Up to that point, the storyline has followed numerous musician characters who are striving to get discovered or bolster...
Nov 26, 2018 — The Magnificent Ambersons “Plus one and minus one equal nothing. So you mean I’m nothing in particular?” —Isabel “Remember you very well indeed.” —George “George, you never saw me before in your life!” —Eugene What is this cult I signed up...
Features
Nov 20, 2018 — In the aftermath of the political turmoil that swept through France in 1968, Sylvina Boissonnas used her wealth to sponsor some of the most radical films of the era, including works by Philippe Garrel and Jackie Raynal.
Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.
The Daily
Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.
The Daily
Sep 12, 2018 — Both Sunset and Our Time have their champions and detractors.
Production Notes
Sep 3, 2018 — The producers behind our edition of Tomás Gutiérrez Alea’s masterpiece share stories they discovered from researching the film and the turbulent political climate that inspired it.
The Daily
Sep 3, 2018 — Here’s how the competition is shaping up so far.