The Criterion Collection
Sep 28, 2022 — A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
Sep 20, 2022 — The Canadian auteur Atom Egoyan’s strip-club-set drama is an intricate tapestry of grief and trauma, held together by a longing for human connection.
Sep 19, 2022 — Deeply influenced by his French education but primarily interested in the representation of African realities on-screen, this long-overlooked visionary approached a variety of subjects with a style both investigative and declarative.
The Daily
Sep 16, 2022 — It’s been a week overshadowed by loss, but here are a few of the brighter highlights.
The Daily
Sep 1, 2022 — Noah Baumbach’s adaptation of Don DeLillo’s novel is met with a first round of qualified praise.
The Daily
Aug 16, 2022 — The director’s first novel is an action-packed prequel and sequel to his 1995 film.
The Daily
Aug 12, 2022 — The sublime comedies of Ernst Lubitsch, a state-of-the-doc address, and the spectacular work of three graphic designers.
The Daily
Jul 29, 2022 — We head back to the 1940s in Los Angeles, the 1960s in New York and Paris, and to every summer you remember.