The Criterion Collection
Jan 6, 2015 — Kihachi Okamoto's The Sword of Doom is likely to strike the unalerted viewer as an exercise in absurdist violence, tracking the career of a nihilistic swordsman from his gratuitous murder of a defenseless old man to his final descent into...
Features
Dec 28, 2014 — In person, Sam was a blunt-nosed nonconformist, small of stature but forever leading with his Cuban cigar.
Essays
Dec 17, 2014 — Trenchant in its portrayal of gender dynamics, sophisticated in its look at the actor’s life, and, of course, hilarious, Tootsie is Hollywood comedy at its finest.
Dec 16, 2014 — The prolific and popular Keisuke Kinoshita made his fascinating first movies at a time of great difficulty and censorship, yet their spirit and brilliance shine through.
Essays
Dec 10, 2014 — Social satire, women’s melodrama, queer metaphor, or horror movie? Todd Haynes’s elusive masterpiece is all of these and none of them.
Nov 25, 2014 — Features Director Michelangelo Antonioni made these famous remarks at the press conference following the May 1960 Cannes Film Festival premiere of L’avventura. They appear here in a translation published in the spring 1962 issue of the journal Film Culture. Today...
Nov 20, 2014 — The two writers chat about Nehme’s new novel.
Features
Oct 23, 2014 — The author recalls meeting the filmmaker in a Swedish hotel in the ’70s.
Sneak Peeks
Oct 22, 2014 — In a fascinating 1963 audio interview featured on our new release of La dolce vita, actor Marcello Mastroianni talks to film historian Gideon Bachmann about how he met Federico Fellini and was cast in La dolce vita. This disarmingly personal excerpt...
Oct 21, 2014 — There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands. The Parisian film world is relatively small, and simply being on the fringes of it...