The Criterion Collection
May 28, 2019 — It has taken me forty years to appreciate the audacity of Agnès Varda in writing and directing One Sings, the Other Doesn’t (1977). Not only did Varda make her subject the most crucial and vexed issue of the feminist movement, at that...
The Daily
May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
On the Channel
May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...
The Daily
May 24, 2019 — In the spotlight this week: Barbara Rubin, Chantal Akerman, Kenji Mizoguchi, Dominik Graf, and Tomás Gutiérrez Alea.
The Daily
May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.
Interviews
May 22, 2019 — Cannes 2019 While politics has never been a stranger to the Cannes Film Festival lineup, this year’s offerings have proven to be even more charged than usual. And one of the more lively and notable premieres on the Croisette so...
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.