Black

Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.

Mar 23, 2017 — Repertory PicksThis Friday and Saturday, the Belcourt Theatre, in Nashville, Tennessee, will screen British filmmaker Alex Cox’s 1984 debut feature, Repo Man, as part of its weekly midnight movie program. Pulsing with the rhythms of Iggy Pop, Black Flag, and...

Mar 22, 2017 — A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.

Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.

Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.

Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.

Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.

Mar 1, 2017 — The restoration teams at Warner Bros. and Criterion explain how they captured the silken texture of the nitrate print of Michael Curtiz’s classic noir melodrama.

Feb 24, 2017 — Cinema lost one of its most venerated maestros of excess last week with the passing of director Seijun Suzuki, whose signature films from the 1960s exploded the conventions of the Japanese studio system. While honing his craft in dozens of...

Feb 23, 2017 — The week before Get Out opened to groundbreaking box-office success, we spoke with the director about the fine line between comedy and horror.