The 33D Invader

Apr 5, 2013 — Did You See This?• Words for the great Roger Ebert: Carson, Edelstein, Emerson • When Kenneth Turan met Burt Lancaster • Alain Delon’s effortless style • Watch Martin Scorsese’s eloquent speech this week at the Kennedy Center. • On illustrating...

Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.

Mar 19, 2013 — A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...

Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...

Mar 6, 2013 — The great documentarian Allan King burst onto the scene in 1967 with Warrendale, a primal scream of a film set in an experimental Toronto home for emotionally disturbed children. With its fly-on-the-wall approach, this “actuality drama,” as King termed it,...

Feb 25, 2013 —

Dec 18, 2012 — With the stage musical Les Misérables coming to the big screen in one of Hollywood’s most anticipated releases of the holiday season, it seemed a good time to remind you about Raymond Bernard’s extraordinary 1934 cinematic adaptation of Victor Hugo’s...

Dec 6, 2012 — Today, Brazil is a widely, feverishly loved film, but once upon a time it had its share of detractors—specifically, those who financed it and released it in the U.S. In the documentary The Battle of “Brazil,” critic Jack Mathews charts...

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...