Jun 30, 2016 Since presenting her first runway show in 1991, fashion designer Anna Sui has transformed her singular sensibility into a clothing empire. Now a fashion icon whose designs can be found all over the world, her distinctive style is eclectic, vibrant,...

Jun 27, 2016 The director spoke with novelist Steve Erickson about his film Sunset Song and the role of women in his work.

Jun 22, 2016 In honor of the semicentennial anniversary of Kartemquin Films, the influential documentarian discusses his groundbreaking, Kartemquin-produced 1994 film Hoop Dreams, what his work with the company has meant for him, and how Kartemquin has grown over the past fifty years.

Jun 14, 2016 Alexander Hall’s 1941 film showcased Robert Montgomery’s star power and, with its premise of a death revoked, provided much-needed comic relief to war-worried audiences.

Jun 7, 2016 Michelangelo Antonioni’s 1955 feature about a group of Turinese women plays on the themes of the novel it was adapted from, while showcasing the developing style of the soon-to-be legendary director.

Jun 3, 2016 During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...

May 31, 2016 Richard Hell was a founding member of the early CBGB bands Television, the Heartbreakers, and Richard Hell & the Voidoids. His Voidoids album Blank Generation (Sire, 1977) is generally acknowledged as seminal to “punk.” Hell retired from music in 1984....

May 31, 2016 With Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.

May 19, 2016 In the late 1950s, when Shindo chose to create a nearly dialogue-free portrait of a family living on a remote island, he was taking a great chance, putting the fate of his struggling production company Kindai Eiga Kyokai on the...

May 17, 2016 Juxtaposing a vision of a stark, primitive existence on a remote Japanese island with that country’s vast twentieth-century modernization, Kaneto Shindo reveals Japan’s postwar paradoxes and makes a case for its essential, immutable character.

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