Jan 5, 2016 Toshiya Fujita’s two-film saga set exuberant, manga-inspired martial-arts choreography against a backdrop of a Japanese society in transition to unfold a vivid tale of epic vengeance.

Dec 15, 2015 Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”

Dec 8, 2015 In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.

Dec 1, 2015 Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...

Nov 25, 2015 Akira Kurosawa's 1952 film about one man’s mortality offers a study in postwar Japan, Kurosawa vs. Ozu, and the realization that knowing how to die requires learning how to be alive.

Nov 23, 2015 Our new release of Dont Look Back, D. A. Pennebaker's groundbreaking behind-the-scenes portrait of Bob Dylan and his famed 1965 tour, is out tomorrow on DVD and Blu-ray and features a new interview with celebrated artist Patti Smith, a lifelong...

Nov 19, 2015 Satyajit Ray’s long-heralded cinematic achievement was influenced by European cinema but also grew out of long-standing Indian artistic tradition.

Nov 18, 2015 Richard Brooks’s In Cold Blood applied cinematic specificity and flair to the literary realism of Truman Capote’s classic “nonfiction novel.”

Nov 17, 2015 Satyajit Ray began his filmmaking career by offering a vision of the young Apu, the character he would go on to follow throughout the three films of his stunning breakthrough epic.

Nov 12, 2015 Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.

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