The Criterion Collection
Nov 19, 2008 — Steve Buscemi is an actor who has appeared in such films as Mystery Train, Fargo, Reservoir Dogs, and Armageddon. He also also directed such films as Trees Lounge, Animal Factory, and Interview.
Nov 19, 2008 — Michael Barker and his copresidents at Sony Pictures Classics, Tom Bernard and Marcie Bloom, have brought out some of the best and most successful independent and international films of the last two decades, from Women on the Verge of a...
Nov 19, 2008 — Iranian-American writer and director Ramin Bahrani’s feature films include: Man Push Cart (2005), Chop Shop (2007), Goodbye Solo (2009), 99 Homes (2014), and Fahrenheit 451 (2018). They have won awards and acclaim all over the world, from Venice to Cannes...
Nov 19, 2008 — “Wow, this assignment kicked my ass in a glorious way!” said Anders. “As with everyone before me, picking just ten Criterion classics is too daunting; so you have to find a system that allows you to play a favorite game,...
Essays
Nov 2, 2008 — To see the gorgeous Fanfan la Tulipe is to go back in time twice over: to the film’s eighteenth-century French setting and to the international cinema world of more than fifty years ago, when this genial action farce was initially...
From artistically refined epics to gory, pulpy spectacles, these films showcase the richness of a uniquely Japanese action subgenre.
These two filmmakers forged an alliance that lasted from the late thirties to the early seventies, making their mark on the world of British cinema by always going against its realist strain.
Oct 30, 2008 — This week, the New York Times compiled its special annual holiday movie preview, and judging by Charles Taylor and Stephanie Zacharek’s enthusiasm for a slew of upcoming DVD releases for November and December, it seems critics are looking forward to...
No one has influenced modern filmmaking more than this French New Wave pioneer. He was one of our greatest lyricists on historical trauma, religion, and the legacy of cinema.
After making his mark in the early thirties with two very different films, this French master closed out the decade with two humanistic studies of French society that routinely turn up on lists of the greatest films ever made.