Yesterday

Jul 6, 2016 — Yesterday, we released Arthur Hiller’s uproarious 1979 comedy classic The In-Laws. Starring Alan Arkin as a pragmatic dentist and Peter Falk as a wild mystery man, Hiller’s film showcases the tremendous comedic talents of its two incredible stars. As a...

Jun 3, 2016 — During the second incarnation of this festival dedicated to movies preserved on nitrate film, Jared Case, the festival’s executive director, talks about his work bringing the Nitrate Picture Show to life, selecting this year’s films, and why nitrate remains a...

May 3, 2016 — Last night, HBO premiered British filmmaker Adam Benzine’s Oscar-nominated documentary Claude Lanzmann: Spectres of the Shoah. In interviews and dug-up footage, Benzine’s film traces the twelve-year production of Shoah, Lanzmann’s groundbreaking nine-hour 1985 Holocaust documentary. Shoah, which eschewed archival images...

Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.

Nov 17, 2015 — This week marks the first occasion of the Criterion Blogathon, a massive movie lovefest organized by the film blog Criterion Blues.

Oct 15, 2015 — Sophia Loren and Marcello Mastroianni are cast against type—and funnyman director Ettore Scola gets serious—in this humane drama set in Fascist Italy.

May 26, 2015 — We were saddened to learn of the passing yesterday of Mary Ellen Mark, a great, world-renowned American photographer and a wonderful friend to Criterion. In honor of her extraordinary career, we thought we‘d share an excerpt from a recent interview...

Jan 13, 2015 — Rainer Werner Fassbinder’s characters play an endlessly layered game of dress-up in this tale of sadomasochistic love.

Jun 27, 2014 — The American war in Vietnam was officially divided into two halves: the military war and “the other war: the war to win the hearts and minds of the people,” which gives Peter Davis’s 1974 documentary its title. Whereas the aim...

Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.