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The Square

Glenn Kenny writes film reviews for the New York Times and RogerEbert.com, and has contributed to the Criterion Collection website. He is the author of Made Men: The Story of “Goodfellas” (Hanover Square Press, 2020).

Jul 15, 2025 Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.

Jun 18, 2007 Dušan Makavejev’s masterpiece explores sexual freedoms and their perils in both New York and Belgrade, using each city and set of practices and problems to help define the other.

Apr 28, 2003 Federico Fellini both identifies with and satirizes the provinciality that forms his romantic comedy's central subject.

May 29, 2024 Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.

Aug 21, 2023 Channel Calendars This September, the Channel welcomes you back to school . . . where something sinister is afoot. Our High School Horror collection brings together cult classics and teen-slasher favorites for a bloodcurdling look at the scary side of...

Nov 23, 2022 In Susan Seidelman’s Smithereens, the odyssey of a New Jersey transplant trying to survive in Manhattan is accompanied by the music of one of the Garden State’s most iconic punk bands.

Aug 3, 2022 Film at Lincoln Center’s retrospective ranges from silent classics and intimate melodramas to sprawling westerns and historical epics.

Sondheim On-Screen

The Daily

Nov 29, 2021 The composer and lyricist who reinvented the American musical was “more of a film buff than a theater buff.”

Nov 17, 2020 Consider Jim Jarmusch’s Ghost Dog: The Way of the Samurai (1999) as a very promiscuous romance picture above anything else—even if not all of its many objects of affection are what you might call properly human and there is no...

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