The Criterion Collection
Essays
Mar 25, 2025 — Set in a grimy, unglamorous version of Los Angeles, Arthur Penn’s Watergate-era neonoir tells the story of an honorable private eye acutely conscious of living in an era that is the mere shadow of a nobler past.
Mar 24, 2025 — At the turn of the millennium, a loose collective of filmmakers—including Lars von Trier and Thomas Vinterberg—made a splash with a provocative manifesto and a wave of audacious movies shot on digital video.
The Daily
Mar 21, 2025 — Along with conversations with David Cronenberg, Alain Guiraudie, and Lemohang Jeremiah Mosese, the week offers a dossier on “the cinema of the senses.”
The Daily
Mar 19, 2025 — The festival’s twenty-fifth edition offers a five-day binge of midnight movies.
Mar 18, 2025 — In what he described as his “first serious drama,” Charlie Chaplin channeled the influence of modernist literature, foreign cinema, and his European travels into a work of striking formal sophistication.
The Daily
Mar 17, 2025 — Headlining this month’s roundup are Joan Didion, Merle Oberon, and Charlie Chaplin.
The Daily
Mar 11, 2025 — New restorations of The Hour of Liberation Has Arrived (1974) and Leila and the Wolves (1984) arrive in the U.S.
The Daily
Mar 5, 2025 — The Parisian art-house cinema has programmed a series running at various venues throughout New York City.
The Daily
Mar 4, 2025 — The Melbourne Cinémathèque presents selections from the four phases of a profoundly influential oeuvre.
The Daily
Feb 28, 2025 — We’ve gathered some of the best writing on each of the nominees for Best Picture Oscar.