The Criterion Collection
Essays
Jan 31, 2005 — With this early work, Bernardo Bertolucci confidently demonstrated the instinctive lyricism and sensuality that in his maturity would become his very own signature.
Aug 2, 2004 — The three film’s in Renoir’s trilogy are comic period fantasies in dazzling color, offering a kind of continuous, bustling choreography in which shifting power relations between upper and lower classes and between spectators and performers literally turn the world into...
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
Essays
Mar 11, 2002 — This compendium of visual delights displays director Federico Fellini’s team of performers, writers, and designers at full and exhilarating stretch.
Nov 10, 2025 — Olivia Laing is a writer and critic. Their books include The Lonely City, Funny Weather, and Crudo. Their latest novel, The Silver Book, is about the making of Federico Fellini’s Casanova and Pier Paolo Pasolini’s apocalyptic masterpiece, Salò, or The...
The Daily
Sep 26, 2024 — Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.
The director of Maria talks about why Berlin Alexanderplatz is a masterclass on character and capturing a city, praises Maria Callas’s performance in Pier Paolo Pasolini’s Medea, and shares how Boyhood is proof that cinema can evoke the feeling of...
The writer, director, and composer talks about the enduring inspiration of The Age of Innocence, praises the tonal precision of David Cronenberg’s Crash, and shares his love for Pasolini’s potent mix of poetry and intelligence.
The artist, musician, and director of Heart of a Dog shouts out Guy Maddin as one of her favorite filmmakers, praises the first scene in Sunday Bloody Sunday, and can’t resist Pier Paolo Pasolini’s Trilogy of Life.