Other

Dan Callahan is the author of Barbara Stanwyck: The Miracle Woman (2012), Vanessa: The Life of Vanessa Redgrave (2014), two volumes of The Art of American Screen Acting (2018 and 2019), The Camera Lies: Acting for Hitchcock (2020), and the...

Scott Tobias is a freelance film and television writer from Chicago. He currently writes reviews for NPR and Variety, edits Oscilloscope Laboratories’ Musings blog, and contributes frequently to the New York Times, the Washington Post, Vulture, and other publications.

Benjamin Mercer is a senior editor at the Criterion Collection. He has written for the A.V. Club, the Village Voice, Reverse Shot, and the Henry James Review, among other publications.

Fernanda Solórzano is the chief film critic for Letras libres. She has also written for many Mexican print outlets, as well as Cahiers du cinéma, Caimán cuadernos de cine, and Sight and Sound, among other publications. She is the author...

Michał Oleszczyk is an assistant professor of film at University of Warsaw, as well as the former artistic director of Gdynia Film Festival. He has written on film for Cineaste, RogerEbert.com, and other outlets. He has coedited a monograph on...

Shonni Enelow is the author of Joanna Hogg (Contemporary Film Directors series, University of Illinois Press, 2024) and Method Acting and Its Discontents (Northwestern, 2015) and the coauthor of A Discourse on Method (53rd State, 2020). Her film writing has...

Ashley Clark is the curatorial director at the Criterion Collection. Previously, he worked as director of film programming at the Brooklyn Academy of Music, and he has curated film series at BFI Southbank, the Museum of Modern Art, and TIFF...

David Forgacs is Professor of Contemporary Italian Studies at New York University. His recent publications include a history of violence in modern Italy. His other contributions for the Criterion Collection include a filmed interview on Miracle in Milan (Vittorio De...

David Bromwich is Sterling Professor of English at Yale University. He has written on film for the New York Review of Books, the Threepenny Review, and other journals. His most recent book is Moral Imagination, a collection of essays.

Allison Anders is an award-winning film and television writer and director who got her first professional break working for her mentor, Wim Wenders, on his movie Paris, Texas (1984). Her feature debut was Border Radio (1987), cowritten and codirected with...