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Last Dance

Jan 13, 2021 About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...

Dec 29, 2020 Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Dec 18, 2020 From Marlene Dietrich to Tsai Ming-liang, it’s a varied and wide-ranging bunch this week.

Dec 4, 2020 Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...

Nov 30, 2020 Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Pop Histories

The Daily

Oct 23, 2020 A new Senses of Cinema, free access to the NYRB archive, and the return of drive-in theaters are among this week’s highlights.

Oct 9, 2020 In the summer of 2020, I spoke with Philippe Garnier about his book Scoundrels & Spitballers: Writers and Hollywood in the 1930s, available for the first time in English from Eddie Muller’s Black Pool Productions. The book introduces a rogues’...

Oct 5, 2020 Three of the five stand-alone features in this anthology series have premiered in New York, and the reviews have been rock solid.

Oct 1, 2020 Few directors capture bodies in motion with the sensuous intensity that Claire Denis brings to her work. In some of the most memorable scenes in her filmography, she invites viewers to linger in moments where her characters lose themselves in...

Sep 30, 2020 Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.

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