The Criterion Collection
Apr 12, 2017 — With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.
Apr 7, 2017 — Did You See This? Radley Metzger, the erotica pioneer who took soft core and hard core to new heights of artistry, has passed away at the age of eighty-eight. The New York Times remembers the director’s career, which began in...
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...
Feb 11, 2017 — Ermanno Olmi captures the dignity of work in this painterly vision of late nineteenth-century rural Italy.
Essays
Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...
Short Takes
Mar 9, 2016 — Earlier this year we were proud to release Swedish director Jan Troell’s two-film epic, The Emigrants (1971) and The New Land (1972). The films, starring Liv Ullmann and Max von Sydow, are based on Swedish author Vilhelm Moberg’s four-part series...
Feb 19, 2016 — The filmmaker, who began his career as a stage director and designer before shifting his focus to movies, swung by for a chat about his new film and his lifelong affinity for the macabre.
Feb 9, 2016 — Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as...