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Blood Brother

Apr 29, 2022 Channel Calendars This month on the Criterion Channel, we’re celebrating the career of one of our favorite contemporary American filmmakers—the independent, inquisitive, and ever-eclectic Richard Linklater—with a retrospective of beloved hits and lesser-known gems selected by the director himself. Take...

Apr 29, 2022 This week swerves from the slick cinéma du look to the harshest punk noise.

Apr 26, 2022 In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

March Books

The Daily

Mar 22, 2022 This month’s roundup opens with news of forthcoming titles on the work of Pasolini, Kubrick, Sofia Coppola, and Bong Joon Ho.

Jan 31, 2022 What have the critics been saying about this year’s winners?

Sep 29, 2021 Luchino Visconti’s scandalous antifascist melodrama envisions the liquidation of desire with expressionistic panache.

Jul 7, 2021 Cannes’ opening night film has thrilled some critics, disappointed others, and left a few simply confused.

Jun 22, 2021 The multi-hyphenate artist’s staggering and frequently autobiographical body of work reimagines the depiction of Black people in American culture, encouraging us to question everything we see.

Jun 15, 2021 These landmark documentary portraits of intergenerational struggle in Seattle expose social horrors while also revealing the humanity of their subjects.

Nov 2, 2020 Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...

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