The Criterion Collection
Essays
Dec 11, 2024 — In this semiautobiographical meditation on the fickle nature of creative genius, Federico Fellini opens his arms wide to the enigmas of childhood, religion, art, sex, and love—mysteries with no solution.
The Daily
Dec 6, 2024 — Richard Linklater and James Benning revisit Godard’s Breathless and Wim Wenders looks back on Paris, Texas.
Nov 26, 2024 — In this tragicomic road movie about a Bible-selling con man and his precocious young charge, Peter Bogdanovich brings Depression-era America to vivid life without sentimentality or nostalgia.
The Daily
Nov 14, 2024 — BAM revisits the culture wars in a series that includes films by Martin Scorsese, Todd Haynes, and David Cronenberg.
The Daily
Nov 12, 2024 — The festival’s second edition reasserts its emphasis on “showcasing and advocating for personal, ambitious regional cinema.”
The Daily
Oct 23, 2024 — This month brings new books on Brian De Palma, Tobe Hooper, unhappy writers, and classic documentaries.
The Daily
Oct 16, 2024 — This year’s special anniversary edition will open with Malcolm Washington’s August Wilson adaptation, The Piano Lesson.
Oct 8, 2024 — An otherworldly exploration of the realm between life and death, this horror masterpiece transcends its genre with its poetic, often unsettling use of fragmentation and discontinuity.
The Daily
Oct 4, 2024 — The week offers conversations with Francis Ford Coppola and John McNaughton, deep dives into a horror classic, and a guide to Indie’a Parallel Cinema.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.