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Nov 9, 2018 — This week has seen appreciations of such disparate figures as Ida Lupino, André Bazin, and F. J. Ossang.

Nov 9, 2018 — Critically maligned upon their release, Ingmar Bergman’s only two English-language films show the master’s artistry at its most restrained and its most convoluted.

Oct 31, 2018 — Lists of favorites from a genre on the rise.

Oct 29, 2018 — With Lee Chang-dong’s latest film opening in U.S. theaters, we take a look at the second wave of critical response.

Oct 29, 2018 — Supporting roles bring potent flavor to classic Hollywood’s darkest genre. In the first installment of a series, Imogen Sara Smith pays tribute to the queen of character actors: Thelma Ritter.

Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.

Oct 18, 2018 — An autumnal round of reviews, excerpts, interviews, and news.

Oct 11, 2018 — Did You See This? Five highlights of the past seven days:Films by Michael Mann are the subject of two not-to-be-missed pieces this week. Writing for Oscilloscope’s Musings, Bilge Ebiri argues the case for the neglected Blackhat (2015): “When video liberated...

Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.

Oct 1, 2018 — On Roberto Minervini’s What You Gonna Do When the World’s on Fire? and Frederick Wiseman’s Monrovia, Indiana.