The Criterion Collection
May 22, 2017 — Kate and Laura Mulleavy founded Rodarte in Los Angeles, California, in 2005. Rodarte is known for its artistic mixture of high couture, California influences, and explorations into other art forms. Kate and Laura’s design and costume work has been featured...
May 14, 2017 — Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.
May 11, 2017 — Steve Gunn is regarded as one of the finest guitar players of our era. The Philadelphia native got off to an early start in high school punk bands before establishing himself as a player in different genres and touring internationally....
Apr 21, 2017 — Nathan Silver graduated from New York University’s Tisch School of the Arts in 2005. Since then, he has written and directed four short films and eight feature films: The Blind (2009), Exit Elena (2012), Soft in the Head (2013), Uncertain...
Apr 14, 2017 — Zach Braff is an actor, director, screenwriter, and producer notable for his lead role on the television comedy series Scrubs. He made his directorial debut in 2004 with Garden State and most recently directed a remake of the 1979 Martin...
Apr 7, 2017 — Barnaby Clay is a British film director from London. He graduated in 1996 from the London International Film School and has spent the past fifteen years directing music videos for bands and artists such as Gnarls Barkley, Dave Gahan, TV...
Mar 21, 2017 — A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Mar 12, 2017 — With his new film Personal Shopper now in theaters, we’re sharing a conversation we had with the acclaimed French filmmaker during his visit to the Criterion office last October.
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.