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May 26, 2026 Of all the performing arts, stand-up comedy may be the most ephemeral, even more so if the humor is considered dangerous or taboo. Stand-up relies on the charged dynamic between a comedian and an audience, with both sides often bringing...

Cannes Openers

The Daily

May 14, 2026 Jane Schoenbrun’s third feature is met with raves, while three other early entries are seeing mixed reviews.

IFFBoston 2026

The Daily

Apr 22, 2026 Boots Riley and Olivia Wilde both have two films at this year’s edition of New England’s largest film festival.

Apr 21, 2026 It’s all a bit confusing. Point Blank is based on a novel called The Hunter by Richard Stark, one of several pseudonyms adopted by Donald E. Westlake. The book was republished as Payback in 1999 to tie in with a...

Apr 17, 2026 From a distance—looking down, say, from a penthouse office in a glass-paned downtown skyscraper—the U.S. economy of the 1990s and early 2000s could feel almost boring. Between Black Monday in 1987 and the Global Financial Crisis twenty years later, growth...

Apr 16, 2026 Dozens of filmmakers will attend the third edition of the American Cinematheque’s documentary festival.

Apr 14, 2026 Monty Python’s Life of Brian (1979) is a film about fear. That may not entirely jibe with its reputation as a biblical parody, but it might be the movie’s secret strength—why it continues to strike a nerve today. Many of...

Apr 1, 2026 BAMPFA presents a retrospective in conjunction with the filmmaker’s residency at UC Berkeley.

Jan 29, 2026 Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Jan 22, 2026 This visually stunning masterpiece from Kazakh New Wave iconoclast Ardak Amirkulov is one of the few films that looks evil in the eye without flinching.

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