Back To Search

From Karkhe to Rhein

Dec 14, 2015 — In the early 1960s, Agnès Varda traveled to Cuba to make the documentary Salut les Cubains (1963). Varda’s twenty-eight-minute film, composed almost entirely of photographs that captured Cuba’s vibrant postrevolutionary culture, was inspired by two of Chris Marker’s films—Varda took...

Nov 23, 2015 — Our new release of Dont Look Back, D. A. Pennebaker's groundbreaking behind-the-scenes portrait of Bob Dylan and his famed 1965 tour, is out tomorrow on DVD and Blu-ray and features a new interview with celebrated artist Patti Smith, a lifelong...

Nov 5, 2015 — Director Guillermo del Toro isn’t shy about the wealth of influences that have shaped his dark and fantastical cinematic worlds. In a piece published earlier this month in the Guardian, the acclaimed Mexican filmmaker cited a range of inspirations for...

Nov 5, 2015 — Julien Duvivier’s early sound films offer emotionally rich explorations of life in prewar France.

Oct 30, 2015 — The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Oct 21, 2015 — Masaki Kobayashi takes on broken vows and the unreality of the past in his sensual and spooky four-part adaptation of Lafcadio Hearn’s Japanese folktales.

Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Oct 2, 2015 — We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.

Blind Chance by Gérard DuBois

Criterion Designs

Sep 29, 2015 — The combination of deep-rooted anger and intellectual trickiness in Krzysztof Kieślowski’s film called for an artist with an unusual combination of skills.

Current Page
164
of 645

You have no items in your shopping cart