The Criterion Collection
Nov 17, 1986 — The best of all the Spencer Tracy/Katharine Hepburn comedies, Adam’s Rib is as fresh and topical today as it was in 1949 when it was first released. Written by Ruth Gordon and Garson Kanin and directed by George Cukor, this...
Essays
Dec 9, 1985 — Movie thrillers may come and go, but after half a century, Alfred Hitchcock’s The 39 Steps still reigns supreme. And not only for the sheer, breathless excitement of the story; the seamless construction; the chilling, beautifully realized atmosphere; and the...
Essays
Dec 3, 1984 — Since the dawn of the sound era, an estimated 25,000 feature-length films have been produced—and that’s in the English language alone. When, in the early 1960s, an international group of film critics were polled as to their “number-one film of...
The Daily
Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.
Essays
May 25, 2012 — The following article by the filmmaker himself originally appeared in the German newspaper Die Filmwoche on May 20, 1931.
On the Channel
Nov 1, 2019 — No studio embraced the artistic potential and infectious joie de vivre of the movie musical like MGM did in the 1940s and ’50s. Built from the stuff of dreams, the form became a showcase for some of the most versatile...
Nov 5, 2018 — With the gradual rollout of his two-part semi-musical, Wang is seeing his strongest reviews yet.
May 27, 2022 — Joel Potrykus is a screenwriter and director based in Grand Rapids, Michigan. His first feature, Ape, won the Best New Director prize at the 2012 Locarno Film Festival and his second film, Buzzard, took home the FIPRESCI prize at the...
The Daily
May 16, 2018 — Workers and management face off in a French factory, and the reviews are so-so.
In Theaters
Jan 21, 2016 — Next week, the Dryden Theatre at the George Eastman Museum in Rochester, New York, will kick off Agnès Varda: (Self)-Portraits, Facts and Fiction, a monthlong series celebrating the pioneering French director’s body of work.