No studio embraced the artistic potential and infectious joie de vivre of the movie musical like MGM did in the 1940s and ’50s. Built from the stuff of dreams, the form became a showcase for some of the most versatile talents in classic Hollywood: triple-threat superstars like Judy Garland and Gene Kelly, who enchanted audiences with their charismatic performances; innovative directors like Vincente Minnelli and Stanley Donen, who staged one astonishing set piece after another in sumptuous Technicolor; and songwriters like Betty Comden and Adolph Green, who filled these movies with ear-wormy melodies. In the Criterion Channel’s biggest November program, we’re serving up nineteen of MGM’s most beloved musicals, a wide-ranging selection that includes the ambitious spectacles that defined the genre’s golden era (such as Minnelli’s Oscar-winning An American in Paris) as well as delightfully idiosyncratic deep cuts ripe for rediscovery (Don Weis’s I Love Melvin, which reunited Debbie Reynolds and Donald O’Connor a year after Singin’ in the Rain). For a preview of the series, check out the teaser above, which packs as much fancy-free virtuosity as we could fit into one minute!
A Touchstone of Contemporary Chinese Cinema Makes Its Streaming Premiere
One of the most acclaimed and ambitious feature debuts in recent memory, Hu Bo’s An Elephant Sitting Still is a testament to the power of personal filmmaking.
Within Earshot: A Conversation with Sorayos Prapapan
Informed by his background in sound design, the Thai director uses audio to explore the absurdities of an oppressive society in his short film Death of the Sound Man, now playing on the Criterion Channel.