The Criterion Collection
Aug 26, 2025 — Zeinabu irene Davis’s sole narrative feature is a vision of the past as it might have been, as well as an exploration of how history becomes a part of the everyday rhythms of Black life.
Jun 12, 2025 — The acclaimed crime writer joins a producer of the 1999 adaptation of The Talented Mr. Ripley to discuss the cinematic incarnations of Patricia Highsmith’s shape-shifting, quintessentially American antihero.
The Daily
Oct 31, 2024 — The BAM series focuses on filmmakers who “turn the visual language of the silents to new purposes.”
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
The Daily
Jan 10, 2024 — The twentieth edition of MoMA’s festival of film preservation features classics and fresh discoveries from around the world.
The Daily
Aug 14, 2023 — Defying pressure from Iran, Locarno didn’t just screen Ali Ahmadzadeh’s Critical Zone; the festival also gave it its top award.
The Daily
Jun 23, 2023 — Critics rank political movies and revisit the work of Fassbinder, Pasolini, and Juliet Berto.
The Daily
Oct 6, 2022 — Once again, the New York Film Festival presents not one but two new films by Hong Sangsoo.
Jul 26, 2022 — A seductive brew of decadence, dada, and drag, the German director’s fantastical films embrace the possibilities of female visual pleasure.
The Daily
Apr 1, 2022 — This week: A new Cinema Scope, Robert Siodmak, Theodore Witcher, reenactment in nonfiction, and the science of Dune.