The Criterion Collection
Features
Jan 13, 2021 — About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...
Dec 4, 2020 — Forty years after her death, people still imitate Mae West’s voice: that slinky contralto drawl that hit each Brooklyn-inflected vowel like a cab driver leaning on his horn. The voice would be memorable even if she had by some wild...
Dec 1, 2020 — The brochure for the 1961 Lincoln Continental line makes the six-seater luxury sedans look almost dainty. They come in pretty pastels: a cream called Sultana White, a fizzy yellow known as Sunburst, an ice-cream-parlor blue-green dubbed Turquoise Mist. A gloved...
The Daily
Nov 19, 2020 — This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
The Daily
Nov 13, 2020 — We’re keeping busy with online festivals, awards nominations, remembrances, and plenty of weekend reading.
The Daily
Nov 11, 2020 — Claire Denis When Robert Pattinson tested positive for COVID-19 in September, Warner Bros. shut down the production of Matt Reeves’s The Batman for a couple of months. Shooting has since resumed, but Claire Denis’s schedule has been thrown off. She’d...
The Daily
Nov 10, 2020 — Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....
Features
Oct 16, 2020 — First Person One of the internet’s more delightful creations is a compilation of Aaron Sorkin quotes assembled by a man named Kevin Porter in 2012. Its purpose is to expose the screenwriter’s propensity for repetition. Some of the examples, plucked...
The Daily
Oct 16, 2020 — This week we’re reading Jacques Rancière on Pedro Costa, J. Hoberman on Pietro Marcello and Jack London, and Sasha Frere-Jones on Jóhann Jóhannsson.