The Criterion Collection
The Daily
Mar 27, 2024 — The director of the films that launched the Zatoichi and Lone Wolf and Cub series made three virtuosic, melancholic dramas in the early 1960s.
Mar 26, 2024 — In her first fiction film, director Alice Diop brings the skills of observation she has learned from her documentary work to a thought-provoking exploration of race, power, and motherhood.
Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.
The Daily
Mar 25, 2024 — Retrospectives in London and Hong Kong and a screening in Ghent are devoted to the work of the Spanish director.
Mar 21, 2024 — Film at Lincoln Center presents all fourteen features by the director of The Saragossa Manuscript (1964) and The Hourglass Sanatorium (1973).
The Daily
Mar 20, 2024 — BUFF’s twenty-fourth edition offers plenty of scares and local talent.
The Daily
Mar 20, 2024 — The Cinémathèque presents three double features, and all six films star “noir seductress nonpareil” Gloria Grahame.
Mar 20, 2024 — Ryan Clarke and S*an D. Henry-Smith—two curators behind New York City’s premier Black electronic music festival—talk about the films they selected for Radical Dreams, Underground Sounds, a collection now playing on the Criterion Channel.
The Daily
Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.
The Daily
Mar 15, 2024 — Brussels celebrates Chantal Akerman, Hirokazu Kore-eda remembers Ryuichi Sakamoto, and there are some intriguing projects in the works.