The Criterion Collection
May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...
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May 20, 2019 — Setting the Haiti of 1962 next to present-day Paris, Bonello weighs the impact of French colonialism.
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May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.
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May 19, 2019 — Critics are finding the young Russian director’s second feature to be bleak yet irresistibly masterful.
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May 16, 2019 — Within a brisk seventy-seven minutes, Dupieux and Jean Dujardin escort us into the mind of a potential psychopath.
Interviews
May 15, 2019 — It may have taken nearly two decades after graduating from England’s National Film and Television School for Joanna Hogg to emerge as a feature filmmaker, but it was worth the wait. After making her thesis film, Caprice (starring a then-unknown...
May 14, 2019 — It all comes down to that first wink. About half an hour through Michael Haneke’s 1997 cause célèbre Funny Games, Paul (Arno Frisch), one of the two politely psychotic young home invaders who’ve taken a family captive, leads one of his...
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May 13, 2019 — Whether he was adapting Lillian Hellman or Stan Lee, Sargent excelled at locating the human heart beating at the center of the story.
May 13, 2019 — One Scene The Piano Teacher is one of my favorite films, and a rare novelistic adaptation that doesn’t suffer from comparison with its source material. This is especially impressive given how good a source it has: Elfriede Jelinek’s 1983 novel...
Criterion Designs
May 9, 2019 — Studio Visits You’d be hard-pressed to find someone more passionate about movie posters, not to mention gifted at making them, than Nashville-based artist and musician Sam Smith. A lifelong cinephile and devotee of design history—today he even cohosts a podcast...