As director

Dec 21, 2017 — The Trylon Cinema in Minneapolis throws the spotlight on the earliest works of one of French cinema’s most stylish innovators.

Nov 22, 2017 — The Oscar-winning director of last year’s indie sensation Moonlight shares how he fell in love with the art of storytelling in a new conversation on the Criterion Channel on FilmStruck.

Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...

Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.

Aug 10, 2017 — Georges Franju’s elegantly constructed landmark of body horror Eyes Without a Face screens next week in Santa Fe.

Jun 23, 2017 — Kirsten Johnson joined Illeana Douglas for an evening of conversation and a screening of Cameraperson at the Wing, a women’s club that recently opened in Manhattan.

Jun 5, 2017 — Catherine Grant points us to the new issue of the open access journal Film-Philosophy. Before we begin paging through it, let’s have a look at a piece by Benjamin Crais which the Notebook ran last December:For Anglophone readers, Jean Louis...

May 21, 2017 — Tonight, Sunday, May 21, 2017, Twin Peaks returns, just as Laura Palmer (may have) predicted it would twenty-five years ago, give or take. Eighteen one-hour episodes, all directed by David Lynch and cowritten with the show’s original co-creator, Mark Frost....

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

Feb 8, 2017 — In her award-winning 2016 film Cameraperson, documentary cinematographer Kirsten Johnson turns the spotlight on her own work and yet rarely appears on camera. Instead, we hear her voice off-screen, emerging intermittently throughout the film’s elliptical assemblage of outtakes, which are...