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Get On Up

Jan 3, 2024 The new year will bring us new work from Leos Carax, Bong Joon Ho, Francis Ford Coppola, Mike Leigh, David Cronenberg, Celine Song . . .

Dec 13, 2023 As twenty-five films are added, the Academy Museum spotlights the Registry’s thirty-five-year history.

The Players

The Daily

Dec 9, 2023 This week we’re revisiting the work of Tolkin, Bogdanovich, and Borowczyk and reading profiles of Isabelle Huppert and Nicolas Cage.

Dec 8, 2023 Roy Waller (Nicolas Cage), the jittery protagonist of Ridley Scott’s 2003 crime comedy Matchstick Men, doesn’t like to think of himself as a common crook. “I’m a con artist,” he insists, and—in a frenzy of self-justification—further explains: “They give me...

Dec 5, 2023 While 2023 is sorted, Sight and Sound invites critics and filmmakers to revisit some of their all-time favorites.

Nov 22, 2023 Quite an emotional range this week, from musicals and romantic comedies to the terror of nuclear war.

Nov 21, 2023 What stuck with me most after watching La cérémonie (1995) for the first time was the chewing gum.It’s not the scene most often cited in discussions of this late-career classic from French thriller master Claude Chabrol. Don’t get me wrong:...

Nov 17, 2023 Todd Haynes and Tilda Swinton take questions, and Guy Maddin fibs every now and then.

Oct 30, 2023 At a crucial point in the gleefully unhinged and unapologetically nihilistic teen horror movie Ginger Snaps (2000), two death-obsessed teen sisters wasting away in suburban Canada, Brigitte and Ginger, find themselves at their school nurse’s office, in a desperate final...

October Books

The Daily

Oct 24, 2023 The season brings Barbra Streisand’s memories, the “joyously vulgar” Burton and Taylor, and the story of Siskel and Ebert.

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