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The State of the World

Nothing Sacred

The Daily

Apr 23, 2021 This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.

Better Angels

The Daily

Apr 16, 2021 This week we’re checking in on the cinemas of Brazil and South Korea, reading about Terrence Malick, and listening in on Emma Thompson and Tony Kushner.

Mar 12, 2021 Deep Dives I can think of few movies that express the pain of being young better than Hiroshi Teshigahara and Kobo Abe’s Ako (1964). I first happened upon it by chance, lurking among the supplements on the Criterion edition of...

Mar 5, 2021 This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

Feb 26, 2021 There would be no Indonesian cinema without Usmar Ismail (1921–71). His third feature, The Long March (Darah dan doa, 1950), was not only the first film to be produced by a fully Indonesian crew and production company but also one...

Feb 12, 2021 The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Feb 1, 2021 Critics and programmers introduce the thirty titles lined up for the Tiger and Big Screen competitions.

Jan 5, 2021 The film begins at night. Under the credits, there are views from a car in motion, before four people arrive at a stately home in the woods. There is a married couple, François (Paul Frankeur) and Simone (Delphine Seyrig) Thévenot....

Dec 10, 2020 Twenty-four features from around the world offer a remedy for cabin fever.

Nov 25, 2020 A camera dollies down a hallway into the interior of a nursing home: the opening of Martin Scorsese’s The Irishman (2019) prompts a foreboding that seeps into all that follows. The Five Satins’ 1956 doo-wop classic “In the Still of...

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