The Party

Jun 21, 2010 — A new man is being born, fraught with all the fears and terrors and stammerings that are associated with a period of gestation. —Michelangelo Antonioni Red Desert came out in 1964, almost twenty years after the end of the war,...

Jun 16, 2008 — Decades later, we’ve come to understand that Claude Sautet’s film—in a less gaudy and obvious, more secretive, insidious way—was just as revolutionary as Breathless.

Jun 12, 2008 — Spring is ready to surrender to summer here in the Big Apple, and in keeping with my intentions, I sat down and watched The Love Parade and Monte Carlo from the Lubitsch Musicals Eclipse set. I found them to be...

Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.

Jan 11, 1988 — In Young and Innocent (1937) Alfred Hitchcock uses all the signs in his visual vocabulary to tell one of his favorite stories: fugitive hero unjustly accused of murder. Yet this is also a story of youth and innocence triumphant—a light...

Oct 24, 2017 — Stephen Cone is a Chicago-based filmmaker whose films Henry Gamble’s Birthday Party and The Wise Kids are available on DVD and VOD. His latest, Princess Cyd, premiered at Maryland Film Festival, was an official selection of BAMcinemaFest and Frameline, and...

The director, cinematographer, and author reminisces about working with the Coen brothers and getting married at the wrap party for Miller’s Crossing; shares what he loves about Errol Morris’s directorial techniques; and talks about his favorite movie of all time,...

Stephen Cone is a Chicago-based filmmaker whose films include Princess Cyd, Henry Gamble’s Birthday Party, and The Wise Kids.

Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.

Jan 14, 2025 — In this digressive, intensely interior masterpiece, Jean Eustache mines the dramas of his past romances while also capturing the disillusionment of young Parisians in the aftermath of May 1968.