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Sep 16, 2018 Olivier Assayas revived the spirit of the 1970s in one of cinema’s most evocative party sequences, which serves as the centerpiece of his acclaimed 1994 film.

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

Jun 27, 2024 At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.

Oct 24, 2023 This November, learn the art of the con from some of cinema’s craftiest swindlers, or saddle up alongside some of the most complex and determined female characters in the history of the western.

Apr 20, 2023 This month’s highlights include tributes to Jennifer Jason Leigh and Seijun Suzuki and a collection of Asian American films from the 1980s.

Mar 10, 2023 Primarily known as a costume and production designer, this multitalented visionary deserves to be more widely recognized as one of the most important creative forces behind the Czechoslovak New Wave.

Feb 27, 2023 Among the highlights this month is a series celebrating Oscar nominee Michelle Yeoh, an international star who began her career as one of Hong Kong cinema’s fiercest action heroes.

Feb 12, 2025 As the magazine celebrates its centennial, Film Forum presents a series of stories drawn from its pages.

Feb 7, 2025 The week brings fresh appreciations of Sara Gómez, Frederick Wiseman, Andrei Tarkovsky, Vittorio De Sica, and David Lynch.

Jul 18, 2024 Daniella Shreir, the translator of a collection of Duras’s writing on her films, has curated a comprehensive retrospective.

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