The Criterion Collection
May 11, 2009 — Novelists learn not to expect too much when their books are made into movies. Obviously, great fiction has been turned into great cinema, but the dents and scrapes that so many classics have sustained on the rocky road from the...
Apr 21, 2008 — Juan Antonio Bardem combines neorealism with noir thriller to create a new dialect that would forge a new Spanish cinematic language.
Essays
Jun 21, 1999 — Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...
The Daily
Oct 11, 2023 — The shock of Davies’s passing is compounded by the sinking realization that cinema has lost one of its most singular artists.
Essays
Aug 11, 2020 — The Complete Films of Agnès Varda It’s the other famous shot in The Gleaners and I (2000) of Agnès Varda’s reaching hands. Not the one she said was taught around the world as the heart of her documentary-making, where, in...
The Daily
Jan 5, 2026 — One of France’s biggest stars took the world by storm before her reputation took a turn.
The Daily
Dec 12, 2019 — The National Film Registry adds twenty-five titles, Film Comment lists the best films of 2019, and Vulture critics rank 5,279 movies made in the 2010s.
Dec 10, 2019 — Rock music, as director Wim Wenders once joked in an interview, offered to him and other Germans of his generation the “only alternative to Beethoven.” There is likely as much truth as hyperbole in the statement; considering the role that...
Jul 13, 2017 — “Martin Scorsese is putting the band back together,” writes Anita Busch, breaking the news at Deadline that “Joe Pesci has officially joined Al Pacino (whose deal is currently being finalized) and Robert De Niro in Scorsese’s Jimmy Hoffa disappearance film...