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Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.

Jun 28, 2022 — Part rom-com, part existential meditation, the final installment in Joachim Trier’s Oslo trilogy dignifies the fluctuating desires of a woman on the cusp of thirty.

Jun 16, 2022 — The Film at Lincoln Center retrospective features seventeen new restorations overseen by the director himself.

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

May 24, 2022 — While some critics expected more gore, others see a wryly wise reflection on our biological future.

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Apr 21, 2022 — In 1948, leftist filmmaker Leo Hurwitz directed a documentary whose title summed up the uncertainty of its moment: for America’s antifascists, the end of the Second World War was a Strange Victory indeed. Using newsreels from the war’s front lines,...

Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.