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Group B

April Books

The Daily

Apr 3, 2019 This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Mar 26, 2019 It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...

Defogging Wanda

Tech Corner

Mar 25, 2019 In early 2007 the UCLA Film & Television Archive received a call from Hollywood Film and Video announcing that the lab was, sadly, closing—and clearing its vaults in two days’ time. Anything left was doomed to the dumpster. The next...

Jan 8, 2019 A few lingering observations on the films of 2018 from Slate’s Movie Club, the New York Times, and more.

May 15, 2018 It’s the true story of a black detective who infiltrated the KKK—and Lee just might have a hit on his hands.

May 14, 2018 Few critics come to the defense of this story of an all-female Kurdish combat unit.

Lucrecia Martel

The Daily

Apr 10, 2018 In the run-up to the release of Zama on Friday, the Film Society of Lincoln Center in New York is presenting a retrospective of work by Lucrecia Martel. Starting tonight and on through Friday, Martel will be there to either...

Apr 4, 2018 “It has been half a century since Werner Herzog released his first full-length feature, Signs of Life (1968) which depicts a wounded German WWII paratrooper losing his mind on a torpid Greek island,” writes Joseph Hincks, introducing his interview for...

Mar 20, 2018 “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...

Feb 26, 2018 The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it was...

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