The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
Dec 11, 2019 — One Scene “Who can prove the genuineness of our feelings?” a character asks at one point in the Cannes-award-winning sci-fi drama Little Joe, the first English-language film by Austrian director Jessica Hausner. The question is as good a summation as...
Dec 3, 2019 — Performances If there was one mother-daughter television date my busy mum was always willing to down tools for, it was a Bette Davis movie. Her favorite—and mine, for the preteen period when I gave the thumbs-up to anything my mother...
The Daily
Nov 19, 2019 — Contributors to RogerEbert.com and the A.V. Club as well as Time’s Stephanie Zacharek and more pick their favorite films of the decade.
The Daily
Nov 15, 2019 — This week’s highlights take us from post-apocalyptic cityscapes to the deepest jungles of Southeast Asia, from the sound stages of Hollywood to the coal mines of West Virginia.
The Daily
Nov 5, 2019 — What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...
Aug 28, 2019 — Check out what’s in store next month on our streaming service!
Features
Aug 6, 2019 — Once, in 1977, Werner Herzog read a news item about a volcano that was supposed to erupt in Guadeloupe and one man living there who refused to evacuate with the rest of the island’s population. Herzog being Herzog, he immediately...