The Criterion Collection
Jan 20, 2018 — We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the 2016 U.S. presidential election, constructed almost...
On the Channel
Jan 17, 2018 — Canadian filmmaker Atom Egoyan chats about his career in the final season of the groundbreaking TV show Split Screen.
Sneak Peeks
Jan 4, 2018 — For his period epic Barry Lyndon, Stanley Kubrick insisted on shooting primarily with candlelight. Two of his collaborators discuss the challenges presented by this approach and the solutions they arrived at on set.
In Theaters
Dec 21, 2017 — A season-long retrospective of Rainer Werner Fassbinder continues with a screening of his psychosexual drama The Bitter Tears of Petra von Kant.
Dec 21, 2017 — In this excerpt from an interview on our edition of The Piano Teacher, the Austrian director discusses the mechanics of one of the film’s most shocking sequences.
Sneak Peeks
Dec 19, 2017 — Reese Witherspoon looks back on how she perfected the details of her performance as a high-school overachiever in Alexander Payne’s Election.
Sneak Peeks
Dec 13, 2017 — Fifty years after the Summer of Love, Direct Cinema pioneer D. A. Pennebaker looks back on the Monterey International Pop Festival, which he captured in one of his greatest documentaries.
On the Channel
Dec 11, 2017 — In an episode of the groundbreaking IFC series Split Screen, filmmaker Richard Stanley talks about being fired from the production of notorious box-office bomb The Island of Dr. Moreau.
The Daily
Dec 5, 2017 — First, the bad news. “Every Frame a Painting is officially dead,” announce Taylor Ramos and Tony Zhou. “Nothing sinister; we just decided to end it, rather than keep on making stuff.” As Catherine Grant, professor of Digital Media and Screen...
On the Channel
Dec 4, 2017 — In a new video on the Criterion Channel on FilmStruck, legendary documentarian Marcel Ophuls discusses his approach to capturing the revealing interviews at the heart of his films.