The Criterion Collection
Sep 28, 2021 — Melvin Van Peebles: Essential Films Come on now, honey sugarYou know your baby loveYou know just the other dayI was gonna take you to go see a movieSweet Sweetback . . . Stevie Wonder, “Sweet Little Girl,” 1972 We went...
The Daily
Mar 24, 2018 — Just a day or two after Stephen Hawking left us on March 14, Isaac Butler called up Errol Morris for Slate to talk about A Brief History of Time (1991), the documentary that takes it title from Hawking’s surprise bestseller....
The Daily
Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...
On the Channel
Jul 19, 2023 — Next month, we’re celebrating the fiftieth anniversary of the birth of hip-hop and featuring collections of films by Kay Francis, Roger Corman, and Lou Ye.
The Daily
Sep 27, 2022 — New restorations of work by Pedro Costa, Kira Muratova, Jean Eustache, Edward Yang, and Claire Denis are set to screen in New York.
Essays
Oct 26, 2021 — Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.
The Daily
Oct 31, 2024 — She brought a winning intelligence to suffering characters in such films and Young Frankenstein, Tootsie, and After Hours.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
Jun 12, 2019 — One Scene One of the most talked-about movies at this year’s Sundance, The Last Black Man in San Francisco is both a rhapsodic portrait of first-time director Joe Talbot’s native city and a mournful look at how gentrification, income inequality,...
The Daily
Mar 25, 2019 — The writer, producer, and director packed trenchant satire into his genre-hopping B-movies.