The Criterion Collection
Essays
Nov 18, 2025 — This tale of paranoia and romantic jealousy slyly combines the conventions of popular Mexican filmmaking with the surrealist sensibility that made its director, Luis Buñuel, a legendary figure in his native Spain.
The Daily
Nov 12, 2025 — He anchored some of the best films by Kurosawa, Kobayashi, Okamoto, Naruse, and Teshigahara.
Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
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Nov 11, 2025 — “It’s the end of the world, but keep dancing,” says Laxe.
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Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.
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Nov 7, 2025 — Ira Sachs’s new film opens this week, plus: Joy Williams on Gene Hackman and Claire Atherton’s work with Chantal Akerman.
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Nov 4, 2025 — The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.
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Nov 4, 2025 — BAM presents new restorations of Paris Awakens (1991) and A New Life (1993).
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Oct 31, 2025 — A packed batch this week, from die-hards by Kiyoshi Kurosawa and Jacques Tourneur to new films by Kathryn Bigelow and Radu Jude.
Oct 30, 2025 — Classics of the genre—including Andrzej Żuławski’s Possession and David Cronenberg’s The Fly—explore the gory extremes of corporeal experience.