The Criterion Collection
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Jan 24, 2023 — The German contingent is strong: Margarethe von Trotta, Christian Petzold, Angela Schanelec, Christoph Hochhäusler, and Emily Atef.
The Daily
Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...
The Daily
Dec 23, 2017 — Let’s first take a quick break from 2017 and look back fifty years (as I suspect we’ll be doing a lot in 2018). For Little White Lies, Justine Smith has been rifling through various archives and has put together a...
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.
The Daily
May 17, 2017 — Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...
The Daily
Jun 18, 2025 — Bologna’s festival of rediscoveries and restorations now draws around 130,000 attendees each year.
The Daily
May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Oct 9, 2020 — In Scoundrels & Spitballers: Writers and Hollywood in the 1930s, veteran French journalist Philippe Garnier brings to life an enchantingly raffish community of typewriter-pounders who headed west to try their luck in the verbal gold rush set off by the...