Apr 27, 2021 The winner of top awards at Visions du Réel now heads to New Directors/New Films, Hot Docs, True/False, and Rotterdam.

Apr 9, 2021 Uncovering “The Naked City,” Bruce Goldstein’s scintillating chronicle of The Naked City’s groundbreaking New York location shoot, is more than the best “where-they-filmed-it” doc ever made. As Goldstein wittily traces director Jules Dassin’s Gotham roots and influences, this twenty-three-minute documentary—now...

Mar 5, 2021 When the photographer Mary Ellen Mark died in 2015 at age seventy-five from myelodysplastic syndrome, she left behind a vast and varied five-decade trail of portraits and documentary pictures, collected in twenty books and dozens of exhibitions, radical in their...

East of Berlin

The Daily

Mar 3, 2021 Alexandre Koberidze’s What Do We See When We Look at the Sky? and Dénes Nagy’s Natural Light compete at the Berlinale.

Feb 22, 2021 Labor films are not where one typically goes when seeking love and grace. They are more often concerned with bodies subjected to torsion and the furrowed brow of someone who knows the cupboards are growing bare. Then there are the...

Masters in Pieces

The Daily

Feb 12, 2021 This week we’re revisiting Tarkovsky, catching up with Shelley Duvall, and listening to Edgar Wright and Quentin Tarantino talk movies.

Daring Pursuits

The Daily

Feb 5, 2021 This week we’re reading Nick Pinkerton on Fassbinder’s problems with Chabrol and revisiting films by Marguerite Duras, Lizzie Borden, and Béla Tarr.

Jan 22, 2021 List-topping westerns, color-drenched musicals, and rule-breaking documentaries are in the news this week.

Jan 15, 2021 Songbook 1.There is music in Hirokazu Kore-eda’s Still Walking that arises from the home itself. It sounds like eddies of conversation around a kitchen counter, as persistent as the crackle of frying oil. It sounds like the patter, so similar...

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

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