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Nov 8, 2017 — Dave Kehr’s long reviews for the Chicago Reader, published between 1974 and 1986, comprise “a body of work that, together with Kehr’s columns for Chicago magazine in the 1980s, strikes me as being the most remarkable extended stretch of auteurist...

Nov 3, 2017 — “The return of Twin Peaks in 2017 came like a Taser shock to the ‘golden age of television,’ overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of...

Nov 2, 2017 — Two leading figures in American independent cinema talk about the challenges of bringing their visions to life on shoestring budgets.

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Oct 26, 2017 — “The last we heard of Hayao Miyazaki’s new movie, pre-production was beginning as Studio Ghibli reopened its doors in August,” writes Zack Sharf at IndieWire. We don’t yet know much about the feature slated for a 2020 release other than...

Oct 26, 2017 — New York. A new restoration of Hou Hsiao-hsien’s Daughter of the Nile (1987) opens at the Quad tomorrow. In the New York Times, J. Hoberman notes that it was “produced by a music company as a vehicle for the Taiwanese...

Oct 24, 2017 — New York. The Anthology Film Archives’ series Boxing on Film: Part 2 is on through October 31, and William Klein’s Muhammad Ali, The Greatest (1974), screening once more on Saturday, “evades fight footage and instead alights upon the press appearances...

Oct 23, 2017 — David Bordwell’s new book, Reinventing Hollywood: How 1940s Filmmakers Changed Movie Storytelling, is out, and we’ll be hearing more about it soon. For now, though, New Yorkers will want to know that Bordwell’s coming to town, specifically to the Museum...

Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.

Oct 10, 2017 — Two singing mermaid sisters take 1980s Poland by storm in this extravagantly mounted musical-horror hybrid.