The Criterion Collection
Jan 31, 2014 — Tim Forbes is chairman of Forbes Digital and a former independent producer and screenwriter. He writes: “At the Brown Film Society in the early 1970s, we ran about twenty different movies a week, showing everything then available, from the lowliest...
Sep 29, 2015 — Bruce Beresford is the director of more than twenty-five features, including Breaker Morant (1980), Tender Mercies (1983), Driving Miss Daisy (1989), Mister Johnson (1990), and Black Robe (1992).
Jun 21, 2004 — Indefatigably productive, ingenious, exasperating, narcissistically didactic, slyly self-promoting, abject, generous, exploitative, devoted to the wretched of the earth with honest fervor and deluded romanticism: Pier Paolo Pasolini can easily exhaust the adjective-prone, as man and artist, his person and his...
Oct 22, 2024 — Lana Wilson is a writer and director whose work includes After Tiller, an Emmy-winning feature documentary about the four most-targeted abortion doctors in America; The Departure, a Spirit Award–nominated feature documentary about a punk-turned-priest who helps suicidal people find reasons...
Jeb Brody joined Amblin Partners in 2017 and is currently president of production. He and Holly Bario oversee films produced under the company’s Amblin Entertainment and DreamWorks Pictures banners, where he recently executive produced the Academy Award-nominated 1917 and the...
Michelle Parkerson is an award-winning filmmaker based in Washington, D.C., whose work has screened at the Sundance Film Festival, the Berlin Film Festival, and the American Film Institute. She has documented the lives of LGBTQ icon Audre Lorde (A Litany...
Jan 21, 2008 — Married thrice and divorced from all of his wives at a time in Western culture when such marital fluctuation was rare, the playwright August Strindberg undoubtedly used his own dramatic life as a sourcebook.
Essays
Jan 21, 2008 — As late as 1970, Alf Sjöberg’s boldly experimental 1951 adaptation of August Strindberg’s play was declared as inaugurating “a new cinematic language.”
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
Mar 27, 2026 — The first documentary feature about the rock legends, Charlie Is My Darling captures the band as a group of consummate musicians coming into their fame, fully committed to their craft and enjoying one another’s company.